When I thought about making GAIA I asked myself the following question: how can we make art when the world is coming to an end? And from there came the idea of making a hybrid audiovisual and digital series with an ecological background. Our example to follow has been SKAM in the sense that its directors saw that the problem of bullying was growing in Norway and decided to make a fiction about it with a powerful transmedia that would engage young people. And boy, did they succeed. The success has been worldwide and has been replicated in many countries.

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Another important source of inspiration was the series The Collapse, an ecological fiction made by three French directors who came from the world of short films. The series is short-form, 20-minute chapters, which is working better and better.